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Love Images Pictures Biography

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    Birth Name: Jennifer Love Hewitt
    Birth Place: Waco, Texas, United States
    Date of Birth / Zodiac Sign: 02/21/1979, Pisces
    Profession: Actor; producer; singer

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Hewitt seamlessly transitioned from cute kid to precocious teen to sexy leading lady, all in front of the camera. After a promising start on Kids Incorporated, where she showed off her singing chops, Hewitt appeared in a few small-screen duds before leaping to stardom on Party of Five. Although film parts followed (notably the horror hits I Know What You Did Last Summer, from 1997, and  I Still Know What You Did Last Summer, from 1998) her Party spin-off, Time of Your Life, quickly fizzled. Hewitt shifted her focus to music in 2002 by releasing the pop album BareNaked, which peaked at No. 37 on the Billboard 200; it was her fourth U.S. release. In 2005 she returned to her small-screen roots on the supernatural drama Ghost Whisperer. Off camera, Hewitt has worked with a handful of charities, including St. Jude's Children's Hospital and the Susan G. Komen Foundation. She also had a long-term relationship with actor Ross McCall, to whom she was engaged; their romance ended in 2009. Also away from the screen, Hewitt's appearance was the subject of criticism (though she frequently is listed in various magazines as among her day's most attractive actresses) for her weight, following publication of photos taken on a beach. She took the opportunity to discourage women from being obsessed with being thin. Her stance drew praise from the famous and not-famous alike, though she subsequently took off weight following the contoversy.Jennifer Love Hewitt Fast Facts:

    Began singing at the age of 3; also took dance classes in ballet, jazz and tap as a child.
    Performed on stage for the first time at age 6, singing "The Greatest Love of All" and dancing.
    Toured Russia at the age of 9, as part of a dance troupe called the Texas Show Team.
    Her first album was released in Japan in 1992. She followed that up with four U.S. releases, starting in 1995.
    Named an Honorary Godmother for Audrey Hepburn's Children's Fund in 2002.
    Teamed up with writer Scott Lobdell to create the comic-book series Jennifer Love Hewitt's Music Box in 2009.
    Hobbies include roller skating and horseback riding.
    Is active in such charitable endeavors as St. Jude Children's Hospital, APLA, Project Angel Food and the Susan G. Komen Foundation.

    Jennifer Love Hewitt Relationships:
    Alex Beh - Ex-significant Other
    Danny Hewitt - Father
    Ross McCall - Ex-fiancé
    Jamie Kennedy - Ex-significant Other
    Brian Hallisay - Husband
    Pat Hewitt - Mother
    Carson Daly - Ex-significant Other
    Autumn James Hallisay - Daughter
    Todd Hewitt - Brother
    Jennifer Love Hewitt Awards:
    2011 Golden Globe: Best Performance by an Actress in a Miniseries or Motion Picture Made for Television - Nominee
    2000 People's Choice Awards: Favorite Female Performer in a New TV Series - Winner

Shaita Lodhi is a great person she is very well known person on Television industry. She is doing great job as Tv presenter and anchor. she was the host of Good Morning Pakistan at ARY digital channel for a very long time he did  great work there. but, in the end of September 2010, she joined a new show on Geo Utho Jago Pakistan. And This show is No:1 morning show in TV industry.

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Love Wallpaper Image Biography

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 Nisho was a Pakistani film heroine in the 1970s. Nisho was very talented and glamorous actress. She was beautiful and attractive. Bazi was her Ist film raleased in 1970. She was also worked in Punjabi Films but she got good response in Urdu films. Nisho is mother of beautiful heroine Sahiba.

Nisho the famous and beautiful actress of Pakistani cinema was born in Gujrat. Her real name is Bilquis Begum. She gain fame, name and respect in Pakistani film Industry.

Her early work
She was offered the role of lead actress opposite Mohammad Ali and Nadeem in her debut, mega hit film ‘Baazi,’ in 1970. Around that time, Bilquis changed her name to Nisho and achieved name, fame and respect in times due course. Moreover, Mohammad Ali and Nadeem appeared together for the first time in the film ‘Baazi’ (Director, Late Iqbal Shehzad, composer, Sohail Rana.

Her private life
During her school days, Nisho fell in love with a boy, Inam Rabbani. The mutual devotion and understanding resulted in their marriage. Nisho had a daughter, Saheba, with Rabbani. It so happened that Rabbani left Pakistan and settled abroad. Years passed by and he did not return. Consequently, Nisho divorced Rabbani.
Poet Tasleem Fazli, who died in 1982, was Nisho’s second husband. Through perseverance and faith, Nisho overpowered her marital setbacks one after another. In 1988, six years after Tasleem Fazli's death, Nisho married for the third time. She had a son, Hamza, from her third husband.

Nisho’s film career
Nisho worked in sixty films.
The following three films of Nisho were released in 1971:
‘Yaar dais Punjab day’, ‘Baazi gar’, ‘Ye Aman’. The film ‘Ye Aman’ was written and directed by Riaz Shahid.
The year 1973 proved to be the best year for Nisho’s films. The following ten films of Nisho were released in 1973:
Nisho achieved enormous fame with the release of the super hit film ‘Nadaan’, directed by Iqbal Akhtar. ‘Nadaan’ made diamond jubilee.
The film ‘Sehray kay phool’, the film ‘Jaal’ (Nisho- Waheed Murad- Shaista Qaiser, director, Iftikhar Khan, silver jubilee).
The films ‘Insaan aur gadha’, ‘Aar paar’, ‘Farz’, ‘Tera gham rahay salamat’.
The films ‘Mulaqat’ (Nisho- Waheed Murad- Qavi- Lehri- director, Laeeq Akhtar, silver jubilee).
The films ‘Dulhan Rani’ and the film ‘Kubra Aashiq’ (producer-director-actor Rangeela)
The films ‘Bazaar’, ‘Angaray’ and ‘Matti kay putlay’.
‘Namak haram’, ‘Tiger gang’ and ‘Iman daar’.
The film ‘Samaaj’ (remake of director Jafar Bukhari’s film ‘:Bharosa’) ‘Baheesht’ and ‘Parda na othao’.
The film ‘Gumrah’, the film ‘Nelaam’ (first film of director Iqbal Kashmiri, producer, Qavi) the film ‘Surat aur seerat’, ‘Athra’, ‘Bikhray moti’ and ‘Shikwa’.
The films ‘Roshni’, ‘Ma’ashara’ and ‘Professor’.
 ‘Naik Perveen’, ‘Neiki badi’ and ‘Haiwan’.
The films ‘Society girl’ (first film of Sangeeta as director), ‘Jut kuryaan toon darda’ and ‘Zubeida’.
 ‘Raastay ka pathar’ (director, A.Rasheed, starring, Nisho- Waheed Murad, Sultan Rahi. The performance of all three artists were at its peak) the film ‘Dharkan’,’Budtameez’.
 ‘Aamna saamna’, ‘Aj deyaan kuryaan’, ‘Gora kala’.
The films ‘Dil kay daagh’, ‘Aadmi’ and ‘Mohammad Bin Qasim’ The film ‘Mohammad Bin Qasim’ is based on a real story, which is a true page turner. Zamarrud was dubbed as Raja Daher’s sister.
The films ‘Ehtejaaj’, ‘Lakha’ and ‘Hanstay Aansoo’.
‘Qudrat’, ‘Pyari’, ‘Nazuk rishtay’.
 ‘Siyasat’ and ‘Tufaan aur zindigi’.

Nisho, a popular Pakistani signature, who helped inspire the movie, is retired from the industry. Once in a while, she makes her presence felt at a function or public place.
Her stories and proud memories lives on.

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Loving Images Biography

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This biography has been published by Oxford University Press for its American National Biography and is reprinted courtesy OUP and the author.

Adams, Ansel (Feb. 20 1902 — Apr. 22, 1984), photographer and environmentalist, was born in San Francisco, California, the son of Charles Hitchcock Adams, a businessman, and Olive Bray. The grandson of a wealthy timber baron, Adams grew up in a house set amid the sand dunes of the Golden Gate. When Adams was only four, an aftershock of the great earthquake and fire of 1906 threw him to the ground and badly broke his nose, distinctly marking him for life. A year later the family fortune collapsed in the financial panic of 1907, and Adams’s father spent the rest of his life doggedly but fruitlessly attempting to recoup.

An only child, Adams was born when his mother was nearly forty. His relatively elderly parents, affluent family history, and the live-in presence of his mother’s maiden sister and aged father all combined to create an environment that was decidedly Victorian and both socially and emotionally conservative. Adams’s mother spent much of her time brooding and fretting over her husband’s inability to restore the Adams fortune, leaving an ambivalent imprint on her son. Charles Adams, on the other hand, deeply and patiently influenced, encouraged, and supported his son.

Natural shyness and a certain intensity of genius, coupled with the dramatically “earthquaked” nose, caused Adams to have problems fitting in at school. In later life he noted that he might have been diagnosed as hyperactive. There is also the distinct possibility that he may have suffered from dyslexia. He was not successful in the various schools to which his parents sent him; consequently, his father and aunt tutored him at home. Ultimately, he managed to earn what he termed a “legitimizing diploma” from the Mrs. Kate M. Wilkins Private School — perhaps equivalent to having completed the eighth grade.

The most important result of Adams’s somewhat solitary and unmistakably different childhood was the joy that he found in nature, as evidenced by his taking long walks in the still-wild reaches of the Golden Gate. Nearly every day found him hiking the dunes or meandering along Lobos Creek, down to Baker Beach, or out to the very edge of the American continent.

When Adams was twelve he taught himself to play the piano and read music. Soon he was taking lessons, and the ardent pursuit of music became his substitute for formal schooling. For the next dozen years the piano was Adams’s primary occupation and, by 1920, his intended profession. Although he ultimately gave up music for photography, the piano brought substance, discipline, and structure to his frustrating and erratic youth. Moreover, the careful training and exacting craft required of a musician profoundly informed his visual artistry, as well as his influential writings and teachings on photography.

If Adams’s love of nature was nurtured in the Golden Gate, his life was, in his words, “colored and modulated by the great earth gesture” of the Yosemite Sierra (Adams, Yosemite and the Sierra Nevada, p. xiv). He spent substantial time there every year from 1916 until his death. From his first visit, Adams was transfixed and transformed. He began using the Kodak No. 1 Box Brownie his parents had given him. He hiked, climbed, and explored, gaining self-esteem and self-confidence. In 1919 he joined the Sierra Club and spent the first of four summers in Yosemite Valley, as “keeper” of the club’s LeConte Memorial Lodge. He became friends with many of the club’s leaders, who were founders of America’s nascent conservation movement. He met his wife, Virginia Best, in Yosemite; they were married in 1928. The couple had two children.

The Sierra Club was vital to Adams’s early success as a photographer. His first published photographs and writings appeared in the club’s 1922 Bulletin, and he had his first one man exhibition in 1928 at the club’s San Francisco headquarters. Each summer the club conducted a month-long High Trip, usually in the Sierra Nevada, which attracted up to two hundred members. The participants hiked each day to a new and beautiful campsite accompanied by a large contingent of pack mules, packers, cooks, and the like. As photographer of these outings, in the late 1920s, Adams began to realize that he could earn enough to survive — indeed, that he was far more likely to prosper as a photographer than as a concert pianist. By 1934 Adams had been elected to the club’s board of directors and was well established as both the artist of the Sierra Nevada and the defender of Yosemite.

Nineteen twenty seven was the pivotal year of Adams’s life. He made his first fully visualized photograph, Monolith, the Face of Half Dome, and took his first High Trip. More important, he came under the influence of Albert M. Bender, a San Francisco insurance magnate and patron of arts and artists. Literally the day after they met, Bender set in motion the preparation and publication of Adams’ first portfolio, Parmelian Prints of the High Sierras [sic]. Bender’s friendship, encouragement, and tactful financial support changed Adams’s life dramatically. His creative energies and abilities as a photographer blossomed, and he began to have the confidence and wherewithal to pursue his dreams. Indeed, Bender’s benign patronage triggered the transformation of a journeyman concert pianist into the artist whose photographs, as critic Abigail Foerstner wrote in the Chicago Tribune (Dec. 3, 1992), “did for the national parks something comparable to what Homer’s epics did for Odysseus.”

Although Adams’s transition from musician to photographer did not happen at once, his passion shifted rapidly after Bender came into his life, and the projects and possibilities multiplied. In addition to spending summers photographing in the Sierra Nevada, Adams made several lengthy trips to the Southwest to work with Mary Austin, grande dame of the western literati. Their magnificent limited edition book, Taos Pueblo, was published in 1930. In the same year Adams met photographer Paul Strand, whose images had a powerful impact on Adams and helped to move him away from the “pictorial” style he had favored in the 1920s. Adams began to pursue “straight photography,” in which the clarity of the lens was emphasized, and the final print gave no appearance of being manipulated in the camera or the darkroom. Adams was soon to become straight photography’s mast articulate and insistent champion. [Ed. Note: Manipulated in this instance meaning altering the clarity or content of the photographed subject matter. Techniques such as "burning" and "dodging", as well as the Zone System, a scientific system developed by Adams, is used specifically to "manipulate" the tonality and give the artist the ability to create as opposed to record.]

In 1927 Adams met photographer Edward Weston. They became increasingly important to each other as friends and colleagues. The renowned Group f/64, founded in 1932, coalesced around the recognized greatness of Weston and the dynamic energy of Adams. Although loosely organized and relatively short-lived, Group f/64 brought the new West Coast vision of straight photography to national attention and influence. San Francisco’s DeYoung Museum promptly gave f/64 an exhibition and, in that same year, gave Adams his first one-man museum show.

Adams’s star rose rapidly in the early 1930s, propelled in part by his ability and in part by his effusive energy and activity. He made his first visit to New York in 1933, on a pilgrimage to meet photographer Alfred Stieglitz, the artist whose work and philosophy Adams most admired and whose life of commitment to the medium he consciously emulated. Their relationship was intense and their correspondence frequent, rich, and insightful. Although profoundly a man of the West, Adams spent a considerable amount of time in New York during the 1930s and 1940s, and the Stieglitz circle played a vital role in his artistic life. In 1933 the Delphic Gallery gave Adams his first New York show. His first series of technical articles was published in Camera Craft in 1934, and his first widely distributed book, Making a Photograph, appeared in 1935. Most important, in 1936 Stieglitz gave Adams a one-man show at An American Place.

Recognition, however, did not alleviate Adams’s financial pressures. In a letter dated 6 August 1935 he wrote Weston, “I have been busy, but broke. Can’t seem to climb over the financial fence.” Adams was compelled to spend much of his time as a commercial photographer. Clients ran the gamut, including the Yosemite concessionaire, the National Park Service, Kodak, Zeiss, IBM, AT&T, a small women’s college, a dried fruit company, and Life, Fortune, and Arizona Highways magazines — in short, everything from portraits to catalogues to Coloramas. On 2 July 1938 he wrote to friend David McAlpin, “I have to do something in the relatively near future to regain the right track in photography. I am literally swamped with “commercial” work — necessary for practical reasons, but very restraining to my creative work.” Although Adams became an unusually skilled commercial photographer, the work was intermittent, and he constantly worried about paying the next month’s bills. His financial situation remained precarious and a source of considerable stress until late in life.

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Funny Love Images Biography

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Audrey Hepburn (born Audrey Kathleen Ruston; 4 May 1929 – 20 January 1993) was a British actress and humanitarian. Recognised as a film and fashion icon, Hepburn was active during Hollywood's Golden Age. She was ranked by the American Film Institute as the third greatest female screen legend in the history of American cinema and has been placed in the International Best Dressed List Hall of Fame. She is also regarded by many to be the most naturally beautiful woman of all time.[1][2][3][4]

Born in Ixelles, a district of Brussels, Hepburn spent her childhood between Belgium, England and the Netherlands, including German-occupied Arnhem during the Second World War. In Amsterdam, she studied ballet with Sonia Gaskell before moving to London in 1948 to continue her ballet training with Marie Rambert and perform as a chorus girl in West End musical theatre productions.

After appearing in several British films and starring in the 1951 Broadway play Gigi, Hepburn played the Academy Award-winning lead role in Roman Holiday (1953). She went on to star in a number of successful films like Sabrina (1954), The Nun's Story (1959), Breakfast at Tiffany's (1961), Charade (1963), My Fair Lady (1964) and Wait Until Dark (1967), for which she received Academy Award, Golden Globe and BAFTA nominations. For her role in Roman Holiday, Hepburn was also the first actress to win an Oscar, a Golden Globe and a BAFTA Award for a single performance in 1954. The same year, she accrued a Tony Award for Best Actress in the Broadway play Ondine. Hepburn remains one of few people who have won Academy, Emmy, Grammy, and Tony Awards. She won a record three BAFTA Awards for Best British Actress in a Leading Role.

She appeared in fewer films as her life went on, devoting much of her later life to UNICEF. Although contributing to the organisation since 1954, she worked in some of the most profoundly disadvantaged communities of Africa, South America and Asia between 1988 and 1992. She was awarded the Presidential Medal of Freedom in recognition of her work as a UNICEF Goodwill Ambassador in December 1992. A month later, Hepburn died of appendiceal cancer at her home in Switzerland at the age of 63.[5][6][7]

Contents

    1 Early life
        1.1 Childhood and adolescence during World War II
    2 Entertainment career
        2.1 Career beginnings and early roles
        2.2 Roman Holiday and increased popularity
        2.3 Breakfast at Tiffany's and continued stardom
        2.4 Final projects
    3 Humanitarian career
        3.1 1988–1989
        3.2 1990–1992
    4 Personal life
        4.1 Marriages, relationships and children
        4.2 Illness
        4.3 Death
    5 Legacy
        5.1 Style
    6 Filmography
    7 Awards
    8 See also
    9 References
    10 Further reading
    11 External links

Early life

Audrey Hepburn was born Audrey Kathleen Ruston on 4 May 1929 at number 48 Rue Keyenveld in Ixelles, a municipality in Brussels, Belgium.[8] Her father, Joseph Victor Anthony Ruston (1889–1980), was a British subject born in Úžice, Bohemia,[9][10] to Anna Ruston née Wels of Austrian descent[11] and Victor John George Ruston of British and Austrian descent.[12] A one-time honorary British consul in the Dutch East Indies, Ruston had earlier been married to Cornelia Bisschop, a Dutch heiress.[9][13] Although born Ruston, he later double-barrelled the surname to the more "aristocratic" Hepburn-Ruston, mistakenly[12] believing himself descended from James Hepburn, third husband of Mary, Queen of Scots.[13]

Her mother, Baroness Ella van Heemstra (1900–1984), was a Dutch aristocrat and the daughter of Baron Aarnoud van Heemstra, who was mayor of Arnhem from 1910 to 1920 and served as Governor of Suriname from 1921 to 1928. Ella's mother was Elbrig Willemine Henriette, Baroness van Asbeck (1873–1939), who was a granddaughter of jurist Dirk van Hogendorp.[14] At age nineteen, Ella had married Jonkheer (Esquire) Hendrik Gustaaf Adolf Quarles van Ufford, but they divorced in 1925. Hepburn had two half-brothers from this marriage who were both born in the Dutch East Indies: Jonkheer Arnoud Robert Alexander Quarles van Ufford (1920–1979) and Jonkheer Ian Edgar Bruce Quarles van Ufford (1924–2010).[13][15] Ella, Baroness van Heemstra, was named Dame of the Most Venerable Order of the Hospital of Saint John of Jerusalem by Queen Elizabeth II on 7 September 1971.[16][17]

Ruston and van Heemstra married in the Dutch-Colonial Batavia, Dutch East Indies in September 1926. They moved back to Europe, to Ixelles in Belgium, where Hepburn was born in 1929. In January 1932 the family moved on to Linkebeek, a nearby Brussels municipality.[18] Although born in Belgium, Hepburn held British citizenship through her father.[8]

Because of her mother's family in the Netherlands and her father's British background and job with a British company,[19] the family often travelled between the three countries. With her multinational background, she went on to speak fluent English, Dutch, French, Spanish and Italian. Hepburn participated in ballet by the age of 5.
Childhood and adolescence during World War II

Hepburn's parents were members of the British Union of Fascists in the mid-1930s,[20] with her father becoming a true Nazi sympathiser.[21] After her mother discovered him in bed with the nanny of her children,[22] Hepburn's father left the family abruptly. In the 1960s, Hepburn would finally locate him again in Dublin through the Red Cross. Although he remained emotionally detached, his daughter remained in contact and supported him financially until his death.[23]

The marriage began to fail from 1935, and Joseph settled in London following the divorce.[9] In 1937, Ella and Audrey moved to Kent, South East England, where Hepburn was educated at a tiny independent school in Elham, run by two sisters, known as "The Mesdamoiselles Smith"; the school was attended by about 14 children.[24][25] In September 1939, Britain declared war on Germany, and Hepburn's mother relocated with her daughter back to Arnhem, in the belief that (as during World War I) the Netherlands would remain neutral and be spared a German attack. Whilst there, Hepburn attended the Arnhem Conservatory from 1939 to 1945 where, in addition to the standard school curriculum, she trained in ballet with Winja Marova. After the Germans invaded the Netherlands in 1940, Hepburn adopted the pseudonym Edda van Heemstra, because an "English sounding" name was considered dangerous during the German occupation. In 1942, Hepburn's uncle, Otto van Limburg Stirum (husband of her mother's older sister, Miesje), was executed in retaliation for an act of sabotage by the resistance movement, while Hepburn's half brother Ian was deported to Berlin to work in a German labour camp. Hepburn's other half-brother Alex went into hiding to avoid the same fate.[26]

After this, Ella, Miesje, and Hepburn moved in with Baron Aarnoud van Heemstra in nearby Velp. During her wartime struggles, Hepburn suffered from malnutrition, developed acute anæmia, respiratory problems, and œdema.[27] Hepburn, in a retrospective interview, commented, "I have memories. More than once I was at the station seeing trainloads of Jews being transported, seeing all these faces over the top of the wagon. I remember, very sharply, one little boy standing with his parents on the platform, very pale, very blond, wearing a coat that was much too big for him, and he stepped on to the train. I was a child observing a child."[28]

By 1944, Hepburn had become a proficient ballet dancer. She had secretly danced for groups of people to collect money for the Dutch resistance. "The best audience I ever had made not a single sound at the end of my performances," she remarked.[29] She also occasionally acted as a courier for the resistance, delivering messages and packages. After the Allied landing on D-Day, living conditions grew worse and Arnhem was subsequently devastated in the fighting during Operation Market Garden. During the Dutch famine that followed in the winter of 1944, the Germans had blocked the resupply routes of the Dutch already-limited food and fuel supplies as retaliation for railway strikes that were held to hinder German occupation. People starved and froze to death in the streets; Hepburn and many others resorted to making flour out of tulip bulbs to bake cakes and biscuits.[21][30] One way young Audrey passed the time was by drawing; some of her childhood artwork can be seen today.[31] When the country was liberated, United Nations Relief and Rehabilitation Administration trucks followed.[32] Hepburn said in an interview that she fell ill from putting too much sugar in her porridge and eating an entire can of condensed milk.[33] Hepburn's war-time experiences sparked her devotion to UNICEF, an international humanitarian organisation, in her later career.[21][30]
Entertainment career
Career beginnings and early roles

After the war ended in 1945, Ella and Audrey moved to Amsterdam, where Hepburn took ballet lessons for three years with Sonia Gaskell, arguably the leading figure in Dutch ballet.[34] In 1948, she appeared for the first time on film, as an air stewardess in an educational travel film made by Charles van der Linden and Henry Josephson, Dutch in Seven Lessons.[35] Gaskell provided an introduction to Marie Rambert, and in 1948 Hepburn traveled with her mother to London to study ballet at the Ballet Rambert. She supported herself with part-time work as a model. Around that time she decided to drop "Ruston" from her double-barreled surname. When Hepburn asked Rambert about her future, Rambert assured her that she could continue to work there and have a great career, but her relatively tall height of 5 ft 7 in (1.70 m)[36] coupled with her poor nutrition during the war would keep her from becoming a prima ballerina. Hepburn trusted Rambert's assessment and decided to pursue acting.[37] After Hepburn became a star, Rambert said of her, "She was a wonderful learner. If she had wanted to persevere, she might have become an outstanding ballerina."[38]

Hepburn's mother worked menial jobs in order to support them but Hepburn needed to find employment. Since she had trained in theatre all her life, working as a London chorus girl seemed sensible. "I needed the money; it paid ₤3 more than ballet jobs."[39] She performed in the musical theatre revues High Button Shoes (1948) at the London Hippodrome and Cecil Landeau's Sauce Tartare (1949) and Sauce Piquante (1950) at the Cambridge Theatre in the West End. Through her theatrical work, she realised her voice was not strong and needed to be developed; she therefore took elocution lessons with the actor Felix Aylmer.[40] After being spotted by an ABPC casting director in Sauce Piquante, Hepburn registered with the British film studio as a freelance actress while still working in the West End.[7] The unknown Hepburn appeared in minor roles in the 1951 films One Wild Oat, Laughter in Paradise, Young Wives' Tale and The Lavender Hill Mob before playing her first major supporting role in Thorold Dickinson's The Secret People (1952), in which she played a prodigious ballerina and performed all of her own dancing sequences.[7]

Hepburn was then offered a small role in the film being shot in both English and French Monte Carlo Baby (Nous Irons à Monte Carlo) (1951). While Hepburn was filming on location, the French novelist Colette happened to be on the set, on an international search for the right actress to play the title character in her Broadway play Gigi. Upon first glance of Hepburn, Colette supposedly whispered, "Voilà," indicating Hepburn, "there's your Gigi."[38][41] Hepburn supplemented her rehearsals with hours of private coaching. On 24 November 1951, Gigi opened at the Fulton Theatre and Hepburn's name was hoisted above the title of the play on the theatre marquee. The play ran for 219 performances, and finished on 31 May 1952.[42] This debut on Broadway earned Hepburn a Theatre World Award.[42] She also reprised this role in the US tour of the play which began 13 October 1952 in Pittsburgh and visited Cleveland, Chicago, Detroit, Washington and Los Angeles before closing on 16 May 1953 in San Francisco.[7]
Roman Holiday and increased popularity
Hepburn in a screen test for Roman Holiday (1953) which was also used as promotional material.

In the Italian-set Roman Holiday (1953), Hepburn had her first starring role as Princess Ann, an incognito European princess who, escaping the reins of royalty, falls in love with an American newsman (Gregory Peck). While producers initially wanted Elizabeth Taylor for the role, director William Wyler was so impressed by Hepburn's screen test that he cast her in the lead. Wyler later commented, "She had everything I was looking for: charm, innocence, and talent. She also was very funny. She was absolutely enchanting and we said, 'That's the girl!'"[43]

Originally, the film was to have had only Gregory Peck's name above its title, with "Introducing Audrey Hepburn" beneath in smaller font. However, Peck suggested to Wyler that he elevate her to equal billing so that her name appeared before the title and in type as large as his: "You've got to change that because she'll be a big star and I'll look like a big jerk."[44]

Hepburn garnered critical and commercial acclaim for her portrayal, adding to her unexpected Academy Award for Best Actress with her first BAFTA Award for Best British Actress in a Leading Role and only Golden Globe Award for Best Actress – Motion Picture Drama in 1953. In his review in The New York Times, A. H. Weiler wrote:

    Although she is not precisely a newcomer to films Audrey Hepburn, the British actress who is being starred for the first time as Princess Anne, is a slender, elfin and wistful beauty, alternately regal and childlike in her profound appreciation of newly-found, simple pleasures and love. Although she bravely smiles her acknowledgment of the end of that affair, she remains a pitifully lonely figure facing a stuffy future.[45]

Hepburn was signed to a seven-picture contract with Paramount with twelve months in between films to allow her time for stage work[46] while spawning what became known as the Audrey Hepburn "look" after her illustration was placed on the September 7, 1953 cover of TIME magazine.[47]
Hepburn with William Holden in the film Sabrina (1954)

Following her success in Roman Holiday, she starred in Billy Wilder's romantic Cinderella-story comedy Sabrina (1954) in which wealthy brothers (Humphrey Bogart and William Holden) compete for the affections of their chauffeur's innocent daughter (Hepburn). For her performance, she was nominated for the 1954 Academy Award for Best Actress while winning the BAFTA Award for Best Actress in a Leading Role the same year. Bosley Crowther of The New York Times wrote:

    One might guess this is Miss Hepburn's picture, since she has the title role and has come to it trailing her triumphs from last year's "Roman Holiday." And, indeed, she is wonderful in it—a young lady of extraordinary range of sensitive and moving expressions within such a frail and slender frame. She is even more luminous as the daughter and pet of the servants' hall than she was as a princess last year, and no more than that can be said.[48]

She began another collaboration that year, this time with actor Mel Ferrer, starred in the fantasy play Ondine on Broadway. With her lithe and lean frame, Hepburn made a convincing water spirit named Ondine in this sad story about love found and lost with a human (Ferrer). A New York Times critic commented:

    Somehow Miss Hepburn is able to translate [its intangibles] into the language of the theatre without artfulness or precociousness. She gives a pulsing performance that is all grace and enchantment, disciplined by an instinct for the realities of the stage.
 

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Animated Love Images

Animated Love Images Biography

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She is best known for her role as college student Winifred "Freddie" Brooks on the NBC sitcom A Different World. As a voice actress Summer provided the voices for Penny in Inspector Gadget during Season 1, Elmyra Duff in Tiny Toon Adventures, Susie Carmichael on Rugrats and All Grown Up, Princess Kida in Atlantis: The Lost Empire, Valerie Gray in Danny Phantom, Foxxy Love in Drawn Together, Numbuh 5 in Codename: Kids Next Door, Magma in X-Men Legends, Yvonne and Gordon in Mrs. Munger's Class, and Cleo the Poodle in Clifford the Big Red Dog. She also voices Wuya in Xiaolin Chronicles.

Contents

    1 Early life and family
    2 Acting and voice acting career
    3 Video game voice acting
    4 Music career
    5 Filmography
        5.1 Animated film roles
        5.2 Animated series roles
        5.3 Live-action TV show roles
        5.4 Video game roles
    6 Discography
        6.1 Albums
        6.2 Singles
    7 References
    8 External links

Early life and family

Summer (born Los Angeles, California on July 7, 1969) grew up on the Red Pheasant Reserve in Saskatchewan. She is the daughter of Canadians Don Francks and Lili Red Eagle, who was a member of the Plains Cree First Nations. Her brother, Rainbow Sun Francks, is a former MuchMusic VJ. Summer and her husband, Angelo Pullens, have two daughters: Brave Littlewing (born March 2011) and Hero Peregrine (born February 2013). Cree is a dual American and Canadian citizen.[1]
Acting and voice acting career

Summer's career began in 1983 when she was cast as niece Penny on the original cartoon version of Inspector Gadget. Her unique, throaty voice was instantly recognizable to casting agents, as well as viewers, who began frequently casting her in animated programs. Many of these were part of cult franchises, like The Care Bears Movie (1985) and Ewoks (1985, part of the Star Wars franchise).

Audiences were able to match Summer's voice to a face when she was cast as the freespirited Winifred "Freddie" Brooks in The Cosby Show spin-off A Different World.[2] She remained a regular cast member of the show from 1988 through its end in 1993.

During the run of A Different World, Summer continued working in voice acting. She was cast in the short-lived television series Sweet Justice in 1994 until its cancellation in 1995. Apart from guest appearances on other live-action television shows such as Living Single and The Fresh Prince of Bel-Air, Summer's professional work since has been limited to voice acting.

At the start of the third season of "A Different World" in 1988, the cartoon series The Real Ghostbusters episodes were expanded from their original half-hour format to an hour. The show was changed to be more youthful. Episodes had a lighter tone designed to be less serious and frightening. In these lighter episodes, Cree voiced the sweet and helpful Chilly Cooper, the neighborhood ice-cream woman and innocent love interest of Slimer.

Summer voiced over 100 animated characters between 1983 and 2006. These have spanned video games, cartoon television series, animated films and commercials. Among her most famous roles was in Inspector Gadget (Season 1) as Penny (a role she reprised in the Robot Chicken episode "Adoption's an Option"), Tiny Toon Adventures (1990) as Elmyra Duff (which she reprised for Pinky, Elmyra & the Brain) and Mary Melody, Aka Pella in Histeria!, Susie Carmichael in Rugrats and its spin-off All Grown Up!, Cleo the Poodle in Clifford the Big Red Dog, Foxxy Love in Drawn Together, Dulcy the dragon in Sonic the Hedgehog, Princess 'Kida' Kidagakash for Disney's Atlantis: The Lost Empire, Valerie Gray in Danny Phantom (2004), Numbuh 5 (Abigail Lincoln) and Cree Lincoln in Codename: Kids Next Door, Penelope in Barbie As Rapunzel and Miranda from As Told by Ginger, Tiff on My Life as a Teenage Robot, octogenerian villain Granny May on WordGirl and Blackarachnia in Transformers Animated (2008).

In the first season DVD commentary of Drawn Together, she stated that she was originally hired to do the voice of Meg Griffin on Fox's animated series Family Guy, but the producers fired her.

Summer is a frequent co-star of Canadian-American actress Tara Strong, the two are childhood friends, both having grown up in Toronto, Ontario.[3]

Summer is also the voice of the Green spokescandy for M&M's.
Video game voice acting

She voiced-over in the games Baldur's Gate: Dark Alliance and BLACK. She voiced Tandi in Fallout and was also the voice of Tatjana in Arc the Lad: Twilight of the Spirits; Lady Belgemine, Young Tidus and additional voice-overs in Final Fantasy X; Lenne/Calli in Final Fantasy X-2; Storm in Marvel Super Hero Squad; Cynder in The Legend of Spyro: A New Beginning and Magma in X-Men Legends, and the voice of Catalina Thorn, the leader of the Cell in Crackdown 2. She also had a small role in Mass Effect. She also voices Medusa in the game Kid Icarus: Uprising for the Nintendo 3DS. She also voiced the Inca Princess Micay in Pitfall: The Lost Expedition. She also did miscellaneous voices in World of Warcraft: Mists of Pandaria. She also reprised her voice of She-Hulk in Marvel Super Hero Squad: The Infinity Gauntlet.
Music career

Summer sang since an early age and joined her first band at 13. In 1985, she recorded the theme song for OWL/TV. In 1990, she sang background vocals on two tracks for fellow A Different World cast member Jasmine Guy's self-titled LP. In 1993 she released an album (as lead singer) with her band Subject to Change. Capitol Records did not officially release the album because of creative differences; the records that were produced were distributed as promotions and are considered a rarity. The band, with an aggressive political message and rock-soul fusion sound, remained popular as a co-headlining act with other performers. In 1999, Summer released her solo album Street Faërie produced by and featuring guest artist (and friend) Lenny Kravitz, but the album was a moderate success. Although Summer toured as Kravitz's opening act, her label dropped her and a planned spot with Lilith Fair was canceled. The label continued to promote the album, however, sending out a four-track sampler to radio and issuing remix singles of the track "Revelation Sunshine" in Europe, with a special single specifically for Austria.

Summer recorded a song titled "Savior Self" for which she directed a music video co-starring Zoe Kravitz, daughter of actress Lisa Bonet and rocker Lenny Kravitz. The video was screened online, but the track was never made available commercially, nor was it distributed to radio.

A number of Summer's portrayed characters (animated or otherwise) are singers or sing songs within the soundtrack of a show. The character of Susie in All Grown Up! was portrayed as a singer with real talent, allowing Summer to sing in the role.[4] Summer also sings the opening theme song for All Grown Up!. The character of Foxxy Love in Drawn Together was a singer, with songs like "La-La-La-La-Labia" and "Crashy Smashy", Numbuh 5 from Codename: Kids Next Door sang a lullaby to lull babies to sleep. Elmyra Duff as she sang in many times on Tiny Toon Adventures. She co-performed lead vocals in the song "Cool Kitty" with Tara Strong, which accompanied a cartoon called Class of 3000, directed and written for Cartoon Network by André 3000.

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